You cannot imagine how happy I was when I saw the pictures of them recording live strings...
As far as what roots she will embrace, it might lean to a more classic Alizée sound with the presence of strings, but the songwriting strength will probably not be anything similar. UEDS is possibly the only album by any artist I enjoy that was marred so tremendously by a bad sound. I don't think that will be a problem this time, so if that's the case the songwriting will be more in the forefront of the judging than it was for UEDS, for me anyway.
I still hope there will be a day when we see her name in the writing credits for even just one song, even if it sucks.
__________________
-=...And in a monotone voice, the kid with glasses said, "I'm Rawdg, and this is Derek and Matt."=-
Listen to my versions of J'En Ai Marre, Toc De Mac/Par Les Paupieres, Idéaliser, Lilly Town, Amelie/A Contre-Courant, CTT/JBG, L'email, and Eden/ACF/Limelight.
|