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Originally Posted by Killian
1) Mylene wrote them not Alizée.
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True, and I doubt Alizée suggested the masturbation idea. That sounds pure Mylène to me.
However, I also seriously doubt that Alizée was as shocked or offended as some people on this thread have been once Mylène explained it and/or she figured it out for herself. She probably found it amusing. (I do, too.)
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2) These are just one person's view of the meaning of the songs, Mylene/Alizée may never have intnended it to be interpreted like that.
Bear that in mind when reading them. (Paticularly the J'en Ai Marre one)
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There are some other songs where I think the interpretation is more open to question. This one seems fairly obvious. For example, I'm not completely convinced (on reflection) that Coeur déjà pris is about a dead lover after all, although that's possible. And there's a theme of telepathic contact across separation in space and time to A contre-courant that no interpreter has identified yet.