This song is absolutely rampant with sexual references. This is probably the best translation of the song that I've seen and it's explained quite thoroughly. Please keep in mind that this song was written before Alizee was on board with Mylene Farmer. It is absolutely not a representation of Alizee whatsoever.
01. My name is Lolita
02. Lo or even Lola
03. it's all the same
04. My name is Lolita
05. When wolves ravish my dreams,
06. it's Lola who bleeds
07. When my tongue slips,
08. I let out such a wild giggle
09. A wild little Phenomenon
10. My name is Lolita
11. Aqua vitae, Deluge of Love
12. It's not my fault!
13. Even when I stop trying
14. I see them all
15. ready to spurt on me
16. It's not my fault,
17. if all around me I hear
18. "L. O. L. I. T. A."
19. Me, Lolita...
20. My name is Lolita
21. Schoolgirl in stockings
22. dyed methylene blue
23. My name is Lolita
24. Hot-blooded, or not;
25. Partly-cotton, or partly-wool
26. Secretive lips that hide
27. from mom that
28. I am a Phenomenon
29. My name is Lolita
30. Aqua vitae, Deluge of Love
The Definitive Footnotes:
Lines 1-4: Direct reference to Ch. 1 in Lolita.
Line 5: In French, saying "Elle a vu le loup" implies that she has lost her virginity (or "deflowered" as Greg says...hehe). Here, the literal translation would go something like "When I dream of wolves...." The word "ravishes" plays on both these ideas, for it has a primary meaning of consumption (i.e., the wolves consume her sleep), and a delicious secondary meaning of "deflowerment." Beautiful. Just beautiful!
Line 6: Again in reference to defilement, the bleeding is a cause of the first penetration. Don't know if there is a non-sexual meaning for this line...
Lines 7-9: There is a great play on "f" sounds here in the French version that is simply impossible to capture in a translation. The basic idea behind these lines is the fact that she is a tease, and she knows she is. For me, the French "fourche ma langue" always evokes an image of a forked snake tongue, which leads naturally to temptation. She tempts men (older men...Humbert Humbert, to be exact) with her half-child, half-adult ways, almost drawing them in and then retreating in fit of giggles and laughter; she understands her power, and she loves playing with it.
Line 8-9: To play on sounds in the French is "reproduced" with a play on words in these two lines with "wild." (This translation is deep, I tell ya!). The word "Phenomenon" here is capitalized to detract from the primary meaning of "phenomenon"; that is, she is not a phenomenon in the precise sense of the word. Rather than the singular miracle that the word suggests, we strive here for a reference to the fact that she is a wild nymphet.
Line 11: This line in translation is simply beautiful. No other way to put it. To understand the meaning, we must look at the French: "Lo de vie, lo aux amours diluviennes." The first phrase carries three primary meanings: (1) the traditional translation of "Lo of life," or "Lo is life"; (2) a play on "Lo" as "l'eau de vie," giving a sense of the fact she is the spring water of life ("water of life," Biblical references, etc.); and (3) "eau-de-vie," as in a cognac, meaning that her effect is one of light-headed alcoholic pleasure. The second phrase ("lo aux amours diluviennes") carries two primary meanings: (1) "diluviennes" implies "torrential," so there is an unrestrained, overflowing, abundance of love for her; and (2) there is such a "torrent" of this feeling that it is in fact deadly (i.e., Humbert Humbert committing murder out of jealousy). Finally, there is a play between the two phrases with their water imagery. Here, "Aqua vitae" refers both to an alcoholic beverage, as well as (literally from the Latin translation) "water of life." The word "deluge" captures the two meanings mentioned previously of the second phrase, adhering to the water allusions. Finally, the word "aqua" ("water") plays beautifully with the word "deluge." Beautiful!
Line 12: Oh but it is your fault! Hehe. This emphatic renouncement of her power actually affirms it. Connects back to lines 7-9.
Line 13: The word "chat(te)" is the French word for cat, and just like in English the word "pussy (cat)" carries a dirty connotation to the female reproductive system, it is likewise in French. Note here, though, the word is "chat" instead of "chatte." The phrase "Quand je donne ma langue aux chats" is an idiomatic expression that means "When I stop trying to get an answer" or "When I don't get an answer." Literally, it translates as "When I give my tongue to the cat," from which, after making a slight leap to a frame of vulgarity, we obtain a very nice possible lesbian reference. (You figure out the rest).
Lines 14-15: One of my proudest lines of translation, "se jette" means not only to throw, but also to eject (as in a man ejecting his manliness...hehe). The word "spurt" is great, cause it carries both these meanings, with the latter one probably stronger than the former (just the way I like it!).
Line 16: The "à moi" gives a nice emphasis reproduced here. It is similar to line 12, but carries it a bit further; she knows very well it is her fault (...that little nymphet!).
Line 18: Reference to Ch. 1 on Lolita. Possible reference to Serge Gainsbourg.
Line 21: This is primary translation--knee-high schoolgirl stockings. However, there is also the possibility for a secondary translation. We can translate "collegienne" as an "inexperienced person," "en bas" as "down below," and we arrive at "inexperienced down below." This makes a nice reference to her childish, pure, virgin state.
Line 22: "Hot-blooded" here as both a fiery temper and as a fiery, passionate aura.
Lines 22-23: These two lines capture her half-childish, half-adult state, playing back onto "c'est pas ma faute," as well as lines 7 and 8. Here, she is saying, "I can be hot-tempered, or not; it's my choice, my whim." Many people translate "mi-coton, mi-laine" as "half-cotton, half-wool," and use it to describe her sexy schoolgirl stockings. To me, that sounds illogical due to it's placement in the song. Rather, it is more of a reflexion on the idea expressed in the previous line. She is partly like cotton (fuzzy, soft), yet partly like wool (itchy, irritating); and she can change on a whim. Finally, "mi-laine" in the French makes a nice reference to Mylène.
Lines 26-28: "Motus a bouche" being an idiomatic expression for "hush, hush!," we have here a reference to (1) Lolita's mom is oblivious to the power her daughter wields, and (2) the secret "relationship" that Lolita has with Humbert Humbert (Ch. 12-13, for example). Here, I took a little liberty to add a sexual reference of my own in "secretive lips." I'm not sure if "lips" can be used to describe the female reproductive system as in Spanish, but the reference here in English is clear (and justified--she is bound to feel pleasure from her actions as a nymphet, pleasure to which her mother is oblivious).
Credit: The Honorable on M.F. International, link
here.