Not keen on the rather flimsy electro arrangement - Chamfort's own version was more catchy - but there must be great kudos for Alizée in a collaboration with a one-time musical associate of a legend like Serge Gainsbourg. As already commented above, the low register of her voice towards the end is a tingling reminder of what she is really capable of as are the other cheeky little trills she does in a couple of places . . .
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