#101
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Quote:
Her future lies with her new fans, who may also find her old music to their liking. (Note: Some of her new fans may also have been old ones who rediscover her and decide she is cool again.) Quote:
What she did to the old songs is for the most part a mistake - a mistake she needs to acknowledge (to herself) and change. By the way, why are you apologising to Jesus - I don't think he would disagree with you? Quote:
See above.
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#102
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Quote:
Don't mind me...
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#103
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Too late!
A "Movie/TV Harvard Law Professor (Kingsfield if i remember correctly)" once said to someone when they asked to be off the record, that "EVERYTHING is on the record - ALWAYS." I've never forgotten that statement (obviously).
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#104
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I agree that what she did with the new interpretations of her old songs was mostly horrible...especially what she did to L'Alize...although i made my peace with the JEAM 2008 Version.
Imho she should leave her old hits as they were..as a kudos and tribute to her past, which made her what she is. I think she can only win by coming to terms with the past, there was nothing wrong with it We all know she has matured by now, she doesn't need to prove it by raping her old songs. |
#105
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Back to the Future?
There is a method for Alizée to touch old fans with interesting appeals to her previous work in a way which does not rework their music. That is a central idea of the proposal I make here:
http://bellsouthpwp.net/d/o/docdtv/Alizee/2009May.htm which has her reworking the music video of ANOTHER artist. There are references to wind, goldfish, flying, Juliet's party, Barcelona. Amelie, Corsica, and more Alizéeiana yet! There is even a cameo part for Jérémy! Alizée began as a dancer, was catapulted to fame as a singer and "short actress", and now aspires to be a music producer and filmmaker, as well as a singer. At least artistically, I see the proposed remake of "Saint Teresa" as consistent with Lili's hopes for the future. One open question is how rich Alizée became from her early work. It is not necessary for her to earn a living as a performer to continue as an artist, and with much dignity, if she can fund herself. Perhaps only superstars will be able to live from their performance art in the near future, because illicit media creation and copying is so cheap and easy that money can only really be exacted by selling licensed (non-media) physical merchandise, doing media ads, and taking live concert/theatre entrance fees. CD sales will become more like "I support X" buttons, which people wear to promote X. I think Alizée would enjoy performing in ads which gently expose elegant luxury goods. Her good taste, reserved publicity, and youthful attractiveness are consistent with such an ambition, but I don't know that means it can happen. Does the Corsican tourist board want a celebrity name to do promotions? While that might not be Alizée's first choice for work, I think it is a role with potential for both parties. Perhaps Corsica is too rustic to think in those terms, or even resents the notion of telling the story of so old and traditional a place through the eyes of someone so young - and with a French surname, to boot! And maybe a successful dance studio wants to expand via franchising and could use a relatively affordable celebrity name who can do video promotions. Finally, JBG meets Q, and there's the weekly video podcast about Apple gear starring Alizée called "Toc De Macintosh"! Last edited by FanDeAliFee; 12-24-2009 at 09:58 AM.. Reason: Automerged Doublepost |
#106
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ehh
I don't even know if she knows that she is messing up her old songs. But I really like this version of Moi...Lolita!!! http://alizeeamerica.com/play/?v=100
But she didn't really butcher any of her "J'en ai Marre"'s in her Mexico concerts, I think they fit the "in"
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alizee, future |
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