#1441
|
||||
|
||||
I'm so glad that she continues put herself out there in the media spotlight promoting this album. . You can't be labeled a "has been" when every time you turn on the TV Alizée is being interviewed. It might happen for a few weeks but when it becomes months and the appearances continue on and on, then she is becoming a media darling. These shows don't want "nobody's" on their shows, it doesn't help their ratings or viewership.
__________________
|
#1442
|
||||
|
||||
though I'm not sure whether if she's ibeing nvited by all those tv channels and radio stations, or if she (or her label) are strongly pushing behinh, asking in a way or another to be invited ... I know the case of an old Dutch singer who once was popular in france who tried to get invited on as many tv shows as he could using his connections in the tv networks..
But who cares? Great media coverage! |
#1443
|
||||
|
||||
Quote:
__________________
|
#1444
|
||||
|
||||
I'm glad Sony and these tv shows are not giving up on her yet. That's all she needs - exposure on bigger scale. I hope they release more singles in a month or two, especially "Happy End," which I think has a really good potential of becoming popular in France.
|
#1445
|
||||
|
||||
I see that http://alizee-reflections.net/ has posted their translations of all the songs on "5".
__________________
http://www.youtube.com/user/lefty12357 |
#1446
|
||||
|
||||
Quote:
__________________
|
#1447
|
||||
|
||||
Quote:
__________________
http://www.youtube.com/user/lefty12357 |
#1448
|
||||
|
||||
Quote:
Of course with some of the songs on her first two albums, it seemed like some sites tried to sugar coat what the lyrics were trying to say, but I'm sure such is not the case with this album |
#1449
|
||||
|
||||
Latest news from the Voltage interview: She postponed her Mexican promo and will go there at the end of this year.
|
#1450
|
||||
|
||||
That's sad because I miss her sooo much already!
|
Tags |
judgement day will happen, sooner, the leak is inminent, yep.still waiting... |
|
|