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#11
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I'm not saying Mylène didn't do a lot for Alizée, along with Laurent of course, obviously they did; all I'm saying is that I think Alizée has a stronger will than some of us give her credit for. I don't think Mylène ever dictated to her what she had to do musically. I've heard about the way the lyrics for her songs were created; Alizée would hear Laurent's compositions, discuss with Mylène what the music meant to her and what she wanted to say in singing it, and Mylène would write the lyrics. Moi Lolita may be an exception to that, as the first song, but probably not many others. I've been listening to some of Mylène's own music recently and the style is very much her own, not very reminiscent of Alizée at all (or I should say vice-versa, since Mylène came first). And if Mylène couldn't dictate Alizée's performing style when Alizée was a teenager, I don't see how anyone could possibly do it now. Quote:
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Même si tu es au loin, mon coeur sait que tu es avec moi The Stairway To Nowhere (FREE): http://www.smashwords.com/books/view/8357 The Child of Paradox: http://www.smashwords.com/books/view/27019 The Golden Game: http://www.smashwords.com/books/view/56716 Last edited by Deepwaters; 04-17-2007 at 10:35 PM.. |
#12
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Rockin' since 92 and rolling and melting faces off since 2005. I am a metalhead and Alizee fan to the end. |
#13
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Well, we can't deny Mylène's great song writing in Alizée's songs, yes, but then I still wonder about songs like LUI ou TOI. Where did that come from? Well, from what I've heard Ali say, the songs were created by the three of them together. So, there you go. It was a team that was unique as a unit. It is what we love. I just hope I can come to love whatever she does next. I do have a clue, though. Alizée did performances of other people's songs: 'Il jouait du piano debout', 'Ella ella l'a', 'La Isla Bonita', 'L'important c'est d'aimer' and I love all of those performances. Why should I doubt? By the way, I was actually looking for news. Have you all seen this http://tinkalizee.free.fr/newuk.htm? ![]()
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#14
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![]() i expect Alizee herself
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* Mr.atra201's myspace **************************** **************************** "Such a shame to believe in escape A life on every face And that's a change, till I'm finally left with an eight Tell me to react, I just stare Maybe I don't know if I should change A feeling that we share... It's a shame (Such a shame) Number me with rage, it's a shame (Such a shame) Number me in haste, it's a shame This eagerness to change It's a shame..." |
#15
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And -- I had a feeling Alizée had grown her hair out more (don't ask why). The ponytail confirms it, looks like.
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Même si tu es au loin, mon coeur sait que tu es avec moi The Stairway To Nowhere (FREE): http://www.smashwords.com/books/view/8357 The Child of Paradox: http://www.smashwords.com/books/view/27019 The Golden Game: http://www.smashwords.com/books/view/56716 |
#16
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#17
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Alizée's songs could almost be written by completely different people. I know Laurent and Mylène DID write them, but they are so different from Mylène's own that it's clear to me there's a different influence at work. And I can't think where that influence would have come from if it wasn't Alizée herself. Quote:
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Même si tu es au loin, mon coeur sait que tu es avec moi The Stairway To Nowhere (FREE): http://www.smashwords.com/books/view/8357 The Child of Paradox: http://www.smashwords.com/books/view/27019 The Golden Game: http://www.smashwords.com/books/view/56716 |
#18
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![]() I've wondered just how big Alizée’s contribution to the songwriting was. When I was in a band, if someone contributed a fairly detailed idea for a song, we would give them co-authorship on the copyright along with whoever finalized the lyrics and music. Maybe we were being generous, but I think we were just being fair. Either Alizée’s contribution to the process was not significant enough, or they just chose not to give her credit.
I think her involvement and desire in general to control the situation increased in the MCE era and may have culminated in Alizée and MF/LB going their separate ways. This discussion also reminds me of this thread: http://moi-alizee.us/forums/showthread.php?t=1404 |
#19
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![]() If Alizée really had as much involvement in writing the songs as she said she did (in interviews), she would have had writing credits.
More than likely, that was just a line she was told to say to give her more credibility.
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#20
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![]() Two posters have assumed that. Is it a reasonable assumption in terms of European conventions? Especially given that 1) she was a minor through most of this time, and 2) her name was plastered all over the albums, and how much more credit can one have than that?
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Même si tu es au loin, mon coeur sait que tu es avec moi The Stairway To Nowhere (FREE): http://www.smashwords.com/books/view/8357 The Child of Paradox: http://www.smashwords.com/books/view/27019 The Golden Game: http://www.smashwords.com/books/view/56716 |
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