#11
|
||||
|
||||
I think these are more just your own thoughts then anything. I never believed any of these "myths".
|
#12
|
||||
|
||||
Sure it has. She's released a song. We now know what she's going to sound like. We don't know the new Alizée look, but we should know that tomorrow.
Quote:
1) How would Alizée have done if she'd been mentored and had her music written by someone else rather than Mylène? And: 2) How would Mylène's project of finding a younger singer to perform material that was wrong for Mylène herself have done if she'd chosen someone else rather than Alizée? I think the answers are 1) Superbly and 2) Not worth a damn. Which means that the key factor in Alizée's success was Alizée, not Mylène -- Mylène was replaceable, Alizée was not. Quote:
Quote:
No, we don't know what their marital relationship is like nor do we need to, but we can see what their professional relationship is like. He's not calling the shots. He's her songwriter. Period. Quote:
__________________
Même si tu es au loin, mon coeur sait que tu es avec moi The Stairway To Nowhere (FREE): http://www.smashwords.com/books/view/8357 The Child of Paradox: http://www.smashwords.com/books/view/27019 The Golden Game: http://www.smashwords.com/books/view/56716 |
#13
|
|||
|
|||
Quote:
__________________
|
#14
|
||||
|
||||
Remember the Wizards First Rule . . . .
Quote:
1) Definition of Sucess - I define it one way, you may define it another, but the typical measure in "music" circles is sales. Until November, when the album comes out - we really won't know how Lili is doing until we get the first few weeks numbers back. We can "guess" and "speculate" according to how WE hear her, but nothing is in black and white yet. 2) How would Alzée have done if she hadn't been mentored by MF/LB - No way to know. We can postulate and hypothesize all we want - but there is NO concrete way of knowing what would have happened if MF/LB weren't behind Alizée, or if they had someone other than Alizée... They were behind Alizée (and she did well) and they did not use anyone else (and she is now internationally famous). Anything else is pure speculation and opinion.... 3) "and she sounds great and is doing well." - Again (even tho I agree with you here) - this is purely opinion. As for how Lili is "doing" - we don't know that either, in an objective sense.. All we can know/judge is that she looks healthy (according to my definition) and "seems" happy. I"m NOT saying anything different, just that "we" can't know for sure without some objective measure...... 4) He's her songwriter, period. - No idea if this is true or not and we don't know if he's going to get attribution for anything else or not, not until the album comes out. He "might" have had a hand in assisting her in the stuidio as well, either collaborativly with other songwriters or whatever, we just don't know.......... Myths are great things.... They make us think... ./duckhead Ed
__________________
"Most men serve the state thus: Not as men mainly, but as machines . . . " Henry David Thoreau Civil Disobedience Last edited by Edcognito; 10-05-2007 at 09:33 PM.. Reason: My spelling sux when i'm in a rush! |
#15
|
||||
|
||||
^^
great post Ed! and why is it being said that jeremy is "her songwriter" when we have already been told about jean faque and bertrand burgalat, who are confirmed songwriters on the new album? i also want to point out that there are other factors besides the music that was critical in alizée becoming huge under mylene. give credit to mylene where it is due because she knew how to play the game when it came to selling alizée. mylene's marketing of alizée was incredible. from merchandising to strict image control, she had a huge role in popularity of alizée as alizée herself did. i know its early, but try comparing the underwhelming sony/rca is marketing of alizée vs the mylene days. but in the end, i have to disagree with deepwaters about the music. despite everything that initially got me into alizée, a big part of the staying power is from the music itself. the music MF/LB made for her was so unique and appealing across so many levels, i have to say if the music came from somebody else, i probably wouldn't be as a big a fan and maybe not even a fan. just remember, everyone has their own unique reasons for being a fan and sticking around, so i don't think you can make blanket statements like alizée would've been superb without mylene. i think they were both as important to the success as each other, and it was also an unbelievable luck of the perfect synergy. taking out any ingredients out of that would not have yielded the same success, imo. but like i said, it's too early to make fair comparisons with now vs before, so let's see how things pan out, shall we? Last edited by heyamigo; 10-05-2007 at 10:17 PM.. |
#16
|
||||
|
||||
Quote:
IMHO - she is GREAT! and doing even better! I feel that she has nothing left to prove to anyone, and so therfore is spared the "flop" thingy. Her song is out, its a good song (imho), well crafted, danceable and catchy (addictive?) - so in my opinion, the whole "flop" thing isn't related to her at all, just the Pounds, Dollars, Francs, Krona and Marks that she/her record company get. If you meant commercial flop - your right, she could still flop - but i feel that her return has been sucessfull! Ed
__________________
"Most men serve the state thus: Not as men mainly, but as machines . . . " Henry David Thoreau Civil Disobedience |
#17
|
||||
|
||||
[QUOTE=heyamigo;68713]^^
great post Ed! (((snippage))) [what, you thought I might cut out the part where he complemented me? PLEASE!??!] and why is it being said that jeremy is "her songwriter" when we have already been told about jean faque and bertrand burgalat, who are confirmed songwriters on the new album? but like i said, it's too early to make fair comparisons with now vs before, so let's see how things pan out, shall we?[/QUOTE] Agreed Amigo, I don't know about you, but I am very happy with how her comeback is going right now. I could wish that RCA/Sony were spending BILLIONS to advertise her around the world, but I BELIEVE that she is going to do fine just as is. Like you said, lets see how things pan out - beside, 1/2 the fun of being an Alizée fan outside of France is seeing just how things DO pan out! Ed
__________________
"Most men serve the state thus: Not as men mainly, but as machines . . . " Henry David Thoreau Civil Disobedience |
#18
|
|||||
|
|||||
Quote:
Being chosen by Mylène as opposed to being chosen by somebody else? It wasn't affected all that much. The point was that Mylène's role could have been filled by any good songwriter/manager, not that somebody in that role wasn't necessary. Quote:
Quote:
Quote:
Quote:
__________________
Même si tu es au loin, mon coeur sait que tu es avec moi The Stairway To Nowhere (FREE): http://www.smashwords.com/books/view/8357 The Child of Paradox: http://www.smashwords.com/books/view/27019 The Golden Game: http://www.smashwords.com/books/view/56716 |
#19
|
||||
|
||||
Quote:
While of course I think Alizee is immensely talented and could have done something else with another producer that I and most fans would like, I have no idea if such a partnership would have been so successful. Mylene and Alizee went together like chocolate and peanut butter, any other configuration may not have been so appetizing to the general public. Likewise, I'm fairly sure Mylene could have found someone else to play her Lolita, and even possibly have been very successful with that. Certainly many Mylene fans think so. Though of course it wouldn't be the same combination that we know and love, so there'd be a different fan site here now populated by a different group of people. None of this really matters because what happened happened and we got what we got. For sure I agree that Alizee doesn't depend on Mylene now for success, but did she ever? Who knows. Last edited by Ben; 10-06-2007 at 02:36 AM.. |
#20
|
||||
|
||||
If they were still partnered, what kind of sound/image do you think would have been set for Alizee?
__________________
Alizee: Wowww! |
|
|