#61
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sweet jebus! thats awesome...I wish I had money to burn but thats going to my Europe fund!
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[9:59] [Solaris] here comes marik! [Alizée Bar and Grill]: marik has entered at 9:59 [9:59] [Bill Seals] OH shite [9:59] [Solaris] I TOLD YOU [9:59] [Chommpers] mind powers |
#62
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Quote:
I'd get the vinyl of Psychédélices except for the horrible shipping costs that I'd have to pay for it, so if any Torontonian is getting one, get one for me too
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#63
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Quote:
I will get the vinyl, though I will never play it.
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Merci Fanny |
#64
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I don't think that CDs have the capacity to beat previous recording methods. I know little myself, but I do remember seeing that analog methods can approach perfection indefinitely whereas a digital recording is limited by its size- discs only hold so much.
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#65
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Quote:
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Merci Fanny |
#66
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This loudness race is driven partly by radio. Supposedly studies show that people think the loudest radio stations sound the best, especially when listening in a moving car. Soft passages in classical music can be very difficult to hear in a car because classical music has not joined the loudness war.
Compression has been around a long time (even back in the days of vacuum tubes) and is frequently used when recording vocals and certain instruments. It is then used again when the song is being mixed down. It can smooth out a lot of problems inherent in the recording process. The problem is now it is used in a heavy-handed way to increase volume on the CD. What’s worse is the radio station then broadcasts the song through their compression gear and raises it again. By the time you hear it, it is flat as a pancake and quite loud. Most of the dynamics are gone for the sake of loudness, thus changing the writer’s intent. Dynamics is one of the writer’s tools which is pretty much lost to him or her now. That’s why I think a lot of writers don’t even bother to use dynamics in their music nowadays, which is a shame, because a whole dimension is lost. Keep in mind that this same compressed music can be put on vinyl too. There are 3 major steps in recording that affect the final sound, recording, mastering and final product. The old way was to record on analog multi-track tape, master on 2 track analog tape, and put the final product on vinyl. Analog tape can be partially saturated causing a warm distortion that people find very pleasant, and is missing from the digital method. Nowadays they usually use digital to record and master, and then they can put it on vinyl or CD. If this is the case, you may see little, if any improvement in the vinyl version. Much of the warm analog benefit came from the analog tape that was used in the old days. Sorry for the long post... |
#67
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Thank you for your detailed post. I will say that loudness does help sometimes. I don't know if it's exactly the same as what you are talking about, but sometimes I listen to a song on YouTube or something and even cranking up my speakers, it still does not sound as good as someone else's post with a louder sound. I figured the data file compression used in the quieter one was not done as well. Similarly, in MJ, there are sounds that one can miss if it is just not loud enough to hear it. I still feel cheated by the industry. It seems like we should generally have much higher quality sound now in 2007, but I swear, between MP3 compressed files for internet streaming or iPods and all the other stuff, music often sounds worse than it did years ago. (though I know access to it is much great now - trade-offs)
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Merci Fanny |
#68
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Damn industry goobs trying to protect against theft by ruining great audio for the masses that actually purchase the goods.
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Alizee: Wowww! |
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