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That's a lesson Alizée needed NOT to take away from her mentor. Alizée is not Mylène. Part of Mylène's success is her mystery and mystique. She can get away with that sort of thing. Alizée, whose success comes in large part from being more accessible, more herself, more the kind of person one can like and love, cannot.
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Même si tu es au loin, mon coeur sait que tu es avec moi The Stairway To Nowhere (FREE): http://www.smashwords.com/books/view/8357 The Child of Paradox: http://www.smashwords.com/books/view/27019 The Golden Game: http://www.smashwords.com/books/view/56716 |
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Merci beaucoup for this quote! It’s from an interesting interview as well. I was aware of a few comments that Alizée made about the breakup, but I didn’t know about this specific quote. To follow up on this and what some other posters have said: I am still convinced that Alizée/MF/LB could have continued to milk this operation for years and years if they all agreed to go in the same direction. But after MCE, I think MF/LB not only wanted to infuse more graphic sex in Alizée’s act, but also some of the MF/LB imagery. Evidently, MF/LB knew from the start that the Lolita image would be just a phase. I’ll even venture to say that MF/LB created MCE so to smooth out the transition between the Lolita image and a more typical MF libertine image that was to be introduced in the third album. If Alizée would have continued to collaborate with MF/LB, I think that by the fourth album she basically would have been a clone of MF, not so much in looks, but in the fundamental nature of the act. Now, I think I can safely say this is all speculation on my part |
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Edit: But I'm not! Last edited by Corsaire; 01-14-2011 at 12:30 AM.. |
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So with Psych, Lily was more or less starting off with no reputation, like a new singer that comes along and some good marketing could have led to much better results for this album, but with UEDS, she now had a reputation, one apparently the French people were not impressed with and I think no amount of marketing would have made much of an impact on the sales of this album. Quote:
But maybe this was a direction MF didn't want to go in, didn't want to do damage to the reputation she had created for herself. |
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And those songs you listed are absolutely beautiful. Our angel's voice is at its best when singing soft, beautiful songs like that. When I listen to her sing those songs live (such as En Concert) it's sometimes impossible to distinguish them from the album version. I also think that's the way she should go with her next album. However, if you think those songs had much to do with her earlier success..... I'd say you're wrong. They sold the sexy/forbidden image.
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My Favorite Threads: http://alizeeamerica.com/forums/show...036#post187036 Lilly-Mullet & Do-Rag Appreciation Club Member #2 (member #1 Fevier) Last edited by severianb; 01-12-2011 at 03:33 PM.. |
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My feeling is that Mylène was looking for something specific when she went talent-hunting. We know that she wanted someone to perform some songs that she felt she was too old to do herself. Mylène in her late 30s would have seemed preposterous in the role of Lolita, to be sure. So she found Alizée, who was perfect for the part, and crafted that image. The image was animated by Alizée's own personality which came through it to be perceived by her fans, but it was a bit more of a mismatch in the MCE era than in the beginning. Yet it still worked to a degree. But age 18 was really the last time it could. It could never work today. Alizée herself is too old to pull it off. I would concur that Mylène and Laurent had the talent and skill to do something completely different under Alizée's direction, but the question is, why would they? They have their own partnership producing music and videos for Mylène and it is very successful. Mylène had accomplished what she set out to do with Alizée, and Alizèe had benefited from it with a career start like most performers can only fantasize about. From there, it was necessary for her to find out her own performing niche and her own style, and I don't think that M&L would ever have seen her as anything but a sideline. So it really was necessary that they split.
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Même si tu es au loin, mon coeur sait que tu es avec moi The Stairway To Nowhere (FREE): http://www.smashwords.com/books/view/8357 The Child of Paradox: http://www.smashwords.com/books/view/27019 The Golden Game: http://www.smashwords.com/books/view/56716 |
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I dont believe she is crying over the lack of album sales for UEDS either. I believe it is a true attempt by a true artist to reinvent herself. Which was absolutely necessary for her career to continue. Alizée is a stronger person than all that. And I for one and Sandy for two hope she NEVER gives in and becomes another slutty pop star prancing around "showing her panties" even though that seems to be what the majority of the world seems to want. Alizée is way too talented to lower herself to that level. All the Katy Perrys and Brittany Spears and Lady Gagas the mass media can keep as far as we are concerned. If it was just another pop slut I wanted to see I would have been following the afforementioned. The world of mass media has plenty of them, and I cant stand any of them, lots of "panties" and shallow of any true artistic talent. And, as I have stated in the past, What will Alizée do next??? As true of any true artist, Alizée is going to follow her heart and not give in to THE MAN!!! And when she does I will definately be getting her new work. Personally I cant wait for her next release!
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Edit: One thing MF and LB didn't teach Alizee is how to mail things, thats for sure...
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Last edited by User22; 01-12-2011 at 10:52 PM.. Reason: Automerged Doubleposts |
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