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#1
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Expections of her return
I have just finished watching all the Alizée videos in this site in chronological order--from Moi Lolita to L'important C'est D'aimer with Natasha St. Pier, including the interviews. After watching her in various A Contre-Courant performances and then L'important C'est D'aimer I thought she looked more mature and more subdued. And now that she is a wife and a mother, I find myself asking many questions about many things. How much of her personality has changed? Her voice and beauty would still be the same or better, but is she still that same sensual Alizée that teases with her ambiguous lyrics? Will her new songs still have those techno-like rythym to them? R&B can be soothing, but faster upbeat tempo is invigorating(like Gourmandises,A Contre-Courant).
What's gonna happen? |
#2
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Expectations
Look to Jeremy for any influences there may be on her music/performance.
Look to Alizée to make us all love whatever she does... AH hell, now I'm looking forward to looking... |
#3
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This is her show.
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Même si tu es au loin, mon coeur sait que tu es avec moi The Stairway To Nowhere (FREE): http://www.smashwords.com/books/view/8357 The Child of Paradox: http://www.smashwords.com/books/view/27019 The Golden Game: http://www.smashwords.com/books/view/56716 |
#4
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I don't quite agree deepwaters. The feeling I get is that Mylene did a lot for Alizée - probably almost everything for her in the beginning (her 2001 'career'). I think that might be why its taken so long for the new album, Alizée has had to work through making an entirely new album all by herself. I think she's probably been through a lot in making the new album, but she'll be proud that it's her own work, and of course, the music will be phenomenal.
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#5
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I'm not saying Mylène didn't do a lot for Alizée, along with Laurent of course, obviously they did; all I'm saying is that I think Alizée has a stronger will than some of us give her credit for. I don't think Mylène ever dictated to her what she had to do musically. I've heard about the way the lyrics for her songs were created; Alizée would hear Laurent's compositions, discuss with Mylène what the music meant to her and what she wanted to say in singing it, and Mylène would write the lyrics. Moi Lolita may be an exception to that, as the first song, but probably not many others. I've been listening to some of Mylène's own music recently and the style is very much her own, not very reminiscent of Alizée at all (or I should say vice-versa, since Mylène came first). And if Mylène couldn't dictate Alizée's performing style when Alizée was a teenager, I don't see how anyone could possibly do it now. Quote:
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Même si tu es au loin, mon coeur sait que tu es avec moi The Stairway To Nowhere (FREE): http://www.smashwords.com/books/view/8357 The Child of Paradox: http://www.smashwords.com/books/view/27019 The Golden Game: http://www.smashwords.com/books/view/56716 Last edited by Deepwaters; 04-17-2007 at 10:35 PM.. |
#6
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Rockin' since 92 and rolling and melting faces off since 2005. I am a metalhead and Alizee fan to the end. |
#7
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#8
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#9
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Alizee should stick with a good thing... Mylene and Laurent... but sigh... c'est la vie!
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#10
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I disagree with you on that point, an artist naturally develops, and LB and MF might necesarry have allowed her to, or at least give her the freedom to do so. At least now we will see another side of Alizée. Whether it is as succesful as previous era is questionable, but she will get new fans as well as many of her old fans. Shes a good singer with a wide vocal talent that can work with many genres. A very exciting prospect if u ask me. |
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