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  #41  
Old 04-19-2008, 04:42 PM
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I'm afraid we'll wake up some morning, twenty years from now, still hoping for a reunion, then hear that Laurent Boutanant was stabbed to death in a bar fight somewhere in Paris. Then my dream will be forever over.
LOL. But seriously, you're absolutely right. I think Boutonnat was more important for Alizée's success than Farmer. She should try to team up with him again and write her own lyrics.

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As far as her intelligence, you have to remember she left school at 15 to pursue her new found singing career. I guess she was getting private tutoring after this but I'm sure this is no wheres near the quality the of education you get in a regular school. Plus there was the fact that I'm sure she was practicing, performing, giving interviews, travelling day and night which would make it practically impossible to get a good education
The things you mention are a pretty good education in themselves. And you don't learn that much in school anyway. I went to college and I learned more through the Internet and in daily life then I ever learned on campus. If you're an interested, curious person with basic critical thinking skills and access to a computer you can do it on your own.



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I've seen way too many entertainers branch too far off their talent bounds and pretty much make fools of themselves.
I agree 100%. Alizée is very wise for not jumping on some bandwagon or lending herself to some political cause. She should stay above the fray.
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  #42  
Old 04-19-2008, 06:33 PM
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Originally Posted by dreamer View Post
LOL. But seriously, you're absolutely right. I think Boutonnat was more important for Alizée's success than Farmer. She should try to team up with him again and write her own lyrics.
I think musically, Boutonnat was more important to Alizée’s career than Farmer. Farmer may have been more valuable in teaching Alizée the tricks of the trade as far as live performance and dealing with interviews goes. We shouldn’t forget that aspect of her career because that is important as well.

I wonder what would happen if you teamed up Boutonnat and Fauque? They might be able to do some great work together. I still give Jérémy Chatelain credit, though. I think he, Oxmo and Fauque did good work on Psychédélices. Darc and Lo were the weakest ones IMHO, but I say that only because it reflects my personal taste in music. Others may feel differently.
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  #43  
Old 04-19-2008, 07:22 PM
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The dream combo would be Boutonnat/Puccino.

Fourth album, please.

- N
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  #44  
Old 04-19-2008, 08:47 PM
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that guys cool he has a pipe
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Old 04-19-2008, 11:07 PM
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Alizee is still perfectly A-OK with me.
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  #46  
Old 04-19-2008, 11:11 PM
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Alizee is still perfectly A-OK with me.
how true is that?...........................................ve ry
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  #47  
Old 04-19-2008, 11:28 PM
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When do you think we'll next see Alizée perform one of her own songs?

We need to see her performing more of her own material in order to tell whether she's working on the image problem, and whether she's comfortable with her own work.

- JR
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  #48  
Old 04-19-2008, 11:57 PM
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Originally Posted by Neiteio View Post
When do you think we'll next see Alizée perform one of her own songs?

We need to see her performing more of her own material in order to tell whether she's working on the image problem, and whether she's comfortable with her own work.

- JR
I'm sure she's very busy working on that. After all, the first concert is pretty soon.
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  #49  
Old 04-20-2008, 02:42 AM
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Originally Posted by Neiteio View Post
The dream combo would be Boutonnat/Puccino.

Fourth album, please.
Nightmare is more like it. Puccino is the devil- and I don't mean that in the good way.
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  #50  
Old 04-20-2008, 03:10 AM
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Quote:
Originally Posted by Neiteio View Post
When do you think we'll next see Alizée perform one of her own songs?

We need to see her performing more of her own material in order to tell whether she's working on the image problem, and whether she's comfortable with her own work.

- JR
You're right i wish she would perform more of her own songs on programs like "Génération"
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