Quote:
Originally Posted by Rev
You make her sound like a serf.
She didn't sing or do anything that both she and her mother didn't think was passable. Was she persuaded to do something - maybe. However, if so, she was persuaded - not coerced.
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True, true. But again and again, Mylène was obliged to put her own style on the lyrics she was writing. Mylène's style primarily relied on the old adage "sex sells". So to sell more records, she'd constantly add more sexual references. In most cases, the references are somewhat veiled - enough that radio stations would play the songs - and perhaps veiled enough that a 15-, 16-, or 17-year-old Alizée wouldn't have even known what she was singing about. (And who knows, maybe her mom didn't catch on either.) Yes, as Rev says, she was persuaded, but there's a fine line between persuasion and coercion when there are contracts involved.
I've written in these pages before how I think Alizée is much better off now, without Mylène and Laurent, but I've come around to thinking that Laurent was actually a pretty excellent composer! His music sounds practically "old and stuffy" now, but for those first couple albums, he was the Marvin Hamlisch (or maybe even the Burt Bacharach) of France!
On the other hand, Mylène... She wrote the lyrics, and those are the parts of the songs that so often seem disappointing. {"I'm foamily ecstatic"? WTF is that??? }
So basically, I blame Mylène. "J'mets la flute enchantée" indeed. She was a lazy, sleazy hack. Too bad she's still alive. Alizée deserved better.