#1
|
||||
|
||||
Monte Le Son - 03/30
Teaser :
__________________
------------------------------------------------------- ------------------MISS ALIZEE ----------------- |
#2
|
||||
|
||||
__________________
|
#3
|
||||
|
||||
Download link: http://uploaded.net/file/bju2xgov
|
#4
|
|||
|
|||
What did she say?
|
#5
|
||||
|
||||
Interesting stuff ... she stopped working with Indochine because their singer was trying to seduce her etc.. I'll make subtitles later on
|
#6
|
||||
|
||||
Guys , I got a scoop for you. What I have heard in this intw could be the "real" Alizée. I always had the feeling that each intw is a kind of hard exercice to do for her, between shyness and wilness to give what people expect from her. She's always in control.
For the first time I feel that it could be the closest we can be of her real personnality, as the women she is today.
__________________
------------------------------------------------------- ------------------MISS ALIZEE ----------------- Last edited by Bigdan; 03-30-2013 at 07:19 PM.. |
#7
|
||||
|
||||
ENGLISH SUBTITLES AVAILABLE
I've never been so quick at making subs Now that i think about it , she's taking huge risks by criticizing Nicolas Sirkis... Indochine has a HUGE public support in France, I hope the media will keep those words silent otherwise it might turn out pretty damn destructive for Lili's image... Last edited by lapinschous; 03-30-2013 at 08:56 PM.. |
#8
|
|||
|
|||
A Rock album worked by Indochine would have been nice.
In my opinion she has been stalked by many people who have worked with her throughout her carreer, but probably this man crossed the line. |
#9
|
||||
|
||||
Quote:
__________________
|
#10
|
||||
|
||||
Bigdan means that she has always wanted to express her true feelings , to talk about herself to her fans, but never quite dared to at the same time... always holding things for herself , but with time this might fade away slowly and she may be more willing to uncover some of her private life.
Last edited by lapinschous; 04-02-2013 at 06:40 PM.. |
|
|